This isn’t a competition. It’s a collaboration.
All in QUICK HITS
“A record predominantly based around seemingly improvisational drone pieces incorporating judicious voice and atmospheric sampling, alternating manifestations of sublime beauty and extreme darkness and just general originality and uniqueness.”
“I've always associated Wilco's entire existence as only existing when I was an adult human, even though I've always known the math of that doesn't add up. Feels weird to know that I technically could have been into them since I was 12 years old.”
EPISODE 64 kicks off with a haunting acapella work song, and before things close out with a band to watch out for from Melbourne, you'll hear some Detroit hip hop, indie rock from Leeds, folk from Edmonton, some rock steady from you probably can guess, and even a Bee Gees cover.
“It's been a very long time since I love a song like I love "winter". It is the stuff of which beautiful, soft dreams are made of.”
“Riff central, is what. Probably Marnie's best full release to date! She keeps getting better and better!”
“This has got to be the single most amazing conceptual piece of music composition ever conceived.”
“Oh baby these are some hot tracks, some Grade A Quality beach rock for all the cool kids out there.”
“This one hits home in a big way. Even when the progressions are standing on one off-kilter l’il leg, everything is still anchored, still hitched to something real truthful and sturdy. At least I think so. Also, “Life is too short not to love her your best” sounds like something Johnny Cash probably said about June Carter at one point.”
“Is it too soon to say that Eerie Summer are my favourite band? - Probably - but here I am - saying it.”
“an inimitable voice—full of plaintive melancholy as well as righteous fury,—backed by impeccable production. This album impels and impresses upon us with singular urgency.”
