This isn’t a competition. It’s a collaboration.
All in ODDS
“A record predominantly based around seemingly improvisational drone pieces incorporating judicious voice and atmospheric sampling, alternating manifestations of sublime beauty and extreme darkness and just general originality and uniqueness.”
“I've always associated Wilco's entire existence as only existing when I was an adult human, even though I've always known the math of that doesn't add up. Feels weird to know that I technically could have been into them since I was 12 years old.”
EPISODE 64 kicks off with a haunting acapella work song, and before things close out with a band to watch out for from Melbourne, you'll hear some Detroit hip hop, indie rock from Leeds, folk from Edmonton, some rock steady from you probably can guess, and even a Bee Gees cover.
“This has got to be the single most amazing conceptual piece of music composition ever conceived.”
“I'm not particularly good at this but one thing I've been thinking about lately is being willing to be more flexible in the pursuit of goals.”
“Not a whole lot of folks could write something this ambitious and out there, and even fewer could do so after writing a couple albums deeply rooted in the sad bastard side of folk. It's a very different, very special record and I think it's got a little something for everyone.”
“Take it from me —a guy who has spent more than a normal amount of time continually trying to discover fresh tunes— finding new music becomes completely pointless if you don't actually stop and listen to what you've found.”
“Is it too soon to say that Eerie Summer are my favourite band? - Probably - but here I am - saying it.”
“Before I start I want to make a few things clear. I am not to be trusted. I was born in 1974. Look at those numbers!”
“A music service has never so brilliantly propositioned us to put our money where our mouths are. You can "like" something all you want (or scrobble, heart, whatever), but if you want an album to show up in your collection, you'll need to actually get out your wallet and support the people who made it. With money. And that's a great thing for artists.”
